James Oscar is a writer, art critic, and exhibition curator whose work lies at the intersection of experimental critique and anthropological inquiry. As a researcher at the Institut National de la Recherche Scientifique, his work has focused on cultural policy. His academic journey has been deeply influenced by his mentorship under Martinican philosopher Édouard Glissant and his collaboration with Ato Sekyi-Otu on the works of Frantz Fanon. <span>With 25 years of experience in contemporary art, Oscar has worked at the Montreal Museum of Fine Arts and served as Curator-in-Residence at Fonderie Darling (2022-2023). He currently leads the Musée des Arts Libres des Amériques et du Monde (MALAM), home to a significant collection of Caribbean art. His recent exhibitions include "Illuminations" (2024), "Le Langage Secret de l'Univers" (2023), and "Music for the World of Tomorrow".<br></span>

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As a civic researcher, he has engaged in dialogues with figures such as Cornel West and has contributed to major institutions, including Radio-Canada, the Canadian Museums Association, and the Canadian Centre for Architecture. As the founder of Montréal en Action, he spearheaded North America's first public consultation on systemic racism.

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His research explores artistic practices through the lens of critical anthropology across the Americas. His publication, "Imperial Amphitheatres", was launched at the Venice Biennale.

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Few people understand the importance of the arts and culture sector as well as Cameron Bailey. He is CEO of the Toronto International Film Festival (TIFF) - the world's largest public film festival and one of Canada's premier cultural brands. Under his strategic direction, the festival continues to grow in size and significance each year.

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Bailey began his career as a film critic. He also curated films for Cinematheque Ontario, The National Gallery of Canada, The National Film Board of Canada, and Australia’s Sydney International Film Festival before joining TIFF in 1990. He began as a programmer selecting Canadian films before moving on to African and South Asian cinema. He’s responsible for TIFF’s highly successful subscription series, Reel Talk, and also headed TIFF’s Perspective Canada series and founded its Planet Africa section.

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Bailey has taught film curation at the University of Toronto and holds an honorary doctorate from Western University. He is a Chevalier in France’s Order of Arts and Letters, member of the Academy of Motion Picture Arts and Science, and for 12 consecutive years been named one of “Toronto’s 50 Most Influential People” by Toronto Life.

Tracy Paulotte is a cultural strategist and producer dedicated to transforming Quebec’s creative industries by promoting access, representation, and opportunities.

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With nearly eight years of experience, she designs and leads programs, panels, and events that offer tailored training, mentorship, and increased visibility within the industry. Her background spans commercial, web, and television production, with key roles in projects such as La Nuit où Laurier Gaudreault s’est réveillé by Xavier Dolan, Le Beau Chaos on Télé-Québec, and Les Rendez-Vous de Nolie on Natyf TV.

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Certified in production management (INIS), independent production (Main Film), and human resources management (UQAM), Tracy combines creative vision and strategic leadership to deliver high-impact projects. She also leads workshops for audiences aged 8 to 50, raising awareness about the importance of accessibility and representation in behind-the-camera roles.

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As the head of programs at the Dynastie Foundation, Tracy designs and implements initiatives that highlight Black talent in the arts, media, and culture, creating sustainable professional opportunities — from creative roles to leadership positions — one project at a time.

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