Tracy Paulotte is a cultural strategist and producer dedicated to transforming Quebec’s creative industries by promoting access, representation, and opportunities.

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With nearly eight years of experience, she designs and leads programs, panels, and events that offer tailored training, mentorship, and increased visibility within the industry. Her background spans commercial, web, and television production, with key roles in projects such as La Nuit où Laurier Gaudreault s’est réveillé by Xavier Dolan, Le Beau Chaos on Télé-Québec, and Les Rendez-Vous de Nolie on Natyf TV.

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Certified in production management (INIS), independent production (Main Film), and human resources management (UQAM), Tracy combines creative vision and strategic leadership to deliver high-impact projects. She also leads workshops for audiences aged 8 to 50, raising awareness about the importance of accessibility and representation in behind-the-camera roles.

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As the head of programs at the Dynastie Foundation, Tracy designs and implements initiatives that highlight Black talent in the arts, media, and culture, creating sustainable professional opportunities — from creative roles to leadership positions — one project at a time.

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James Oscar is a writer, art critic, and exhibition curator whose work lies at the intersection of experimental critique and anthropological inquiry. As a researcher at the Institut National de la Recherche Scientifique, his work has focused on cultural policy. His academic journey has been deeply influenced by his mentorship under Martinican philosopher Édouard Glissant and his collaboration with Ato Sekyi-Otu on the works of Frantz Fanon. <span>With 25 years of experience in contemporary art, Oscar has worked at the Montreal Museum of Fine Arts and served as Curator-in-Residence at Fonderie Darling (2022-2023). He currently leads the Musée des Arts Libres des Amériques et du Monde (MALAM), home to a significant collection of Caribbean art. His recent exhibitions include "Illuminations" (2024), "Le Langage Secret de l'Univers" (2023), and "Music for the World of Tomorrow".<br></span>

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As a civic researcher, he has engaged in dialogues with figures such as Cornel West and has contributed to major institutions, including Radio-Canada, the Canadian Museums Association, and the Canadian Centre for Architecture. As the founder of Montréal en Action, he spearheaded North America's first public consultation on systemic racism.

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His research explores artistic practices through the lens of critical anthropology across the Americas. His publication, "Imperial Amphitheatres", was launched at the Venice Biennale.

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A dynamic and versatile entrepreneur, Mahaya brings a wealth of experience to the worlds of business and entertainment. Coming from a family with deep jazz and blues roots, she has nurtured a passion for creativity, innovation, and communication. With over two decades of experience, she has honed her expertise in customer service, sales, networking, and business development.

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Her entrepreneurial journey reflects her strategic vision and adaptability. She has worked closely with emerging artists, supporting their creative and professional growth while building a vibrant network in the entertainment industry. At the same time, she has navigated the tech sector, particularly in Blockchain, and has invested in tech-focused startups and fashion merchandise ventures, showcasing her innovative mindset and ability to seize growth opportunities.

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Passionate about health, wellness, and personal development, Mahaya seamlessly combines her business acumen with a deep commitment to enhancing quality of life. As the owner of a franchise for over six years, she has demonstrated strong business management skills while successfully balancing her roles as both a mother and an entrepreneur.

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Resilient and driven, Mahaya embodies excellence in all her ventures, inspiring those around her by shaping the business landscape while prioritizing well-being and success for those she supports.

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