Dejha Carrington is a practitioner and leader in the arts.

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In 2017, Dejha co-founded Commissioner, an art membership that helps peoplecollect the work of contemporary artists in their cities. She serves as ExecutiveDirector and has thus far introduced the program in Miami, Detroit, New York,Montreal, Mexico City, and New Orleans.

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From 2015 to 2022, Dejha served as Vice President of Strategic Communications for YoungArts, the national foundation forthe advancement of artists. Previously, she led public relations initiatives with Kimball Art Museum, the Medellin Biennial inColombia, and the National Film Board of Canada.

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Dejha is a board member of the national performance arts funder MAP Fund in New York, and The Black School, an experimental schoolhouse in New Orleans. She is also a professional advisory member of Miami-Dade Art In Public Places, New York University’s Center for Black Visual Culture, and University of Miami’s Center for Global Black Studies. 

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Dejha teaches the Business of Art at New World School of the Arts at Miami-Dade College.

James Oscar is a writer, art critic, and exhibition curator whose work lies at the intersection of experimental critique and anthropological inquiry. As a researcher at the Institut National de la Recherche Scientifique, his work has focused on cultural policy. His academic journey has been deeply influenced by his mentorship under Martinican philosopher Édouard Glissant and his collaboration with Ato Sekyi-Otu on the works of Frantz Fanon. <span>With 25 years of experience in contemporary art, Oscar has worked at the Montreal Museum of Fine Arts and served as Curator-in-Residence at Fonderie Darling (2022-2023). He currently leads the Musée des Arts Libres des Amériques et du Monde (MALAM), home to a significant collection of Caribbean art. His recent exhibitions include "Illuminations" (2024), "Le Langage Secret de l'Univers" (2023), and "Music for the World of Tomorrow".<br></span>

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As a civic researcher, he has engaged in dialogues with figures such as Cornel West and has contributed to major institutions, including Radio-Canada, the Canadian Museums Association, and the Canadian Centre for Architecture. As the founder of Montréal en Action, he spearheaded North America's first public consultation on systemic racism.

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His research explores artistic practices through the lens of critical anthropology across the Americas. His publication, "Imperial Amphitheatres", was launched at the Venice Biennale.

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DFresh Banger is a gold- and platinum-certified Canadian-Cameroonian producer, DJ and songwriter. He is known for his innovative fusion of AI technology and music. Since 2020, he has been using artificial intelligence for sampling, production and dynamic DJ sets, marrying futuristic techniques with his signature sound inspired by Afro rhythms.

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Born Daniel Sandé in Cameroon and raised in North America, DFresh Banger has been rocked by rap, R&B and reggae, as well as the driving rhythms of ndombolo and makossa. His career took off under the guidance of multi-platinum producer Koudjo (Booba, Jul, Soprano, Naza), and he enjoyed early success with the Parisian group 1995, achieving gold certification for their album Paris Sud Minute.

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Today, DFresh Banger makes its international debut with the Afro-pop single Far Away, in collaboration with Nigerian revelation Singah (known for the hits Teyamo and Mon Amour, accumulating over 35 million listens). This sunny, hybrid track highlights his talent for fusing AI-enhanced productions with sounds from the four corners of the globe.

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With a track record of success and a vision firmly focused on the future of music technology, DFresh Banger redefines modern production-one beat at a time.

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