Tracy Paulotte is a cultural strategist and producer dedicated to transforming Quebec’s creative industries by promoting access, representation, and opportunities.
With nearly eight years of experience, she designs and leads programs, panels, and events that offer tailored training, mentorship, and increased visibility within the industry. Her background spans commercial, web, and television production, with key roles in projects such as La Nuit où Laurier Gaudreault s’est réveillé by Xavier Dolan, Le Beau Chaos on Télé-Québec, and Les Rendez-Vous de Nolie on Natyf TV.
Certified in production management (INIS), independent production (Main Film), and human resources management (UQAM), Tracy combines creative vision and strategic leadership to deliver high-impact projects. She also leads workshops for audiences aged 8 to 50, raising awareness about the importance of accessibility and representation in behind-the-camera roles.
As the head of programs at the Dynastie Foundation, Tracy designs and implements initiatives that highlight Black talent in the arts, media, and culture, creating sustainable professional opportunities — from creative roles to leadership positions — one project at a time.
Tracy Paulotte
Ingrid is a brand strategist, ethnographer, and co-founder of Pre&ent. Driven by a deep curiosity for human nuances, she focuses on the motivations and concerns that drive change for brands, organizations, and individuals. Through ethnographic research, strategic planning, and both qualitative and quantitative analysis, this socio-cultural explorer delivers insights and recommendations shaped by diverse observations.
As a freelance consultant, Ingrid helps teams create meaningful socio-cultural anchors, working with organizations such as Collectif Bienvenue, Héma-Québec, Apple, and Hellmann’s. Through Pre&ent, which provides visual content, workshops, and research focused on representation, she explores ways to highlight authentic stories and their complexities. By leveraging engaging learning and observational techniques (A2C, Radio-Canada, Musée de la civilisation), she fosters a deeper understanding of narratives that truly resonate.
Haitian-born Emilie Lafortune is a 30-year-old woman of determination and passion. At the age of 18, she left her native Haiti for Argentina, where she began a new life, juggling studies and work.
In 2021, Emilie emigrated to Canada, bringing with her her rich culinary culture and infectious enthusiasm. With no great expectations, she began sharing cooking videos on her social networks, simply as a hobby. However, one day, one of her recipes generated an unexpected buzz, propelling her social accounts into the spotlight.
Her iconic slogan, "LE GOÛT DE ÇA", quickly became synonymous with her success, to the point of becoming the name of her food brand. Today, Emilie Lafortune continues to captivate and inspire with her culinary creations, while sharing her love of cooking with an ever-growing audience.
Stephane Moraille is a renowned entertainment lawyer, international recording artist, and co-founder of MassiveLab, specializing in AI-powered business solutions. She holds a Master’s in Intellectual Property Law from Osgoode Hall Law School and has worked in music, film, TV, museums, and technology since 2006.
As co-founder of MassiveLab, Stephane leverages AI-driven strategies to optimize businesses in the creative and cultural sectors. Previously, she was Director of Legal & Business Affairs at PHI, worked with VICE, and handled film & TV clearances at Lussier & Khouzam.
A dedicated mentor, she has led initiatives with Quebec’s Minister of Culture, Phoenix Music Executive Development Program, l’INIS, Coalition MEDIA, QEPC, DOC Institute, and CISF.
A pivotal member of Bran Van 3000, her work earned Polaris Prize nominations (2015, 2022), a MuchMusic Video Award, Juno Award, Canadian Radio Award, Félix Award, and Gold record status. Her iconic song "Drinkin’ in LA" was inducted into the Canadian Songwriters Hall of Fame.
Stephane serves on the Canada Council for the Arts (2022-2026) and the CCUNESCO board (2023-present), alongside leadership roles with SAC, UMAC, MuchFACT, Main Film, and ADVANCE Music Canada.
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