Dejha Carrington is a practitioner and leader in the arts.
In 2017, Dejha co-founded Commissioner, an art membership that helps peoplecollect the work of contemporary artists in their cities. She serves as ExecutiveDirector and has thus far introduced the program in Miami, Detroit, New York,Montreal, Mexico City, and New Orleans.
From 2015 to 2022, Dejha served as Vice President of Strategic Communications for YoungArts, the national foundation forthe advancement of artists. Previously, she led public relations initiatives with Kimball Art Museum, the Medellin Biennial inColombia, and the National Film Board of Canada.
Dejha is a board member of the national performance arts funder MAP Fund in New York, and The Black School, an experimental schoolhouse in New Orleans. She is also a professional advisory member of Miami-Dade Art In Public Places, New York University’s Center for Black Visual Culture, and University of Miami’s Center for Global Black Studies.
Dejha teaches the Business of Art at New World School of the Arts at Miami-Dade College.
Dejha Carrington


Aïcha Bastien-N’Diaye, from the Huron-Wendat Nation, was introduced to movement through Guinean traditional dance while growing up in Wendake. Naturally blending her strong cultural influences, her passion for the physicality and expressiveness of dance quickly led her to pursue professional training at L’École de danse de Québec.
Using her voice to inspire her communities, both on social media and on stage, Aïcha sees movement as a powerful tool for change and innovation.
A multidisciplinary artist, she showcased her work "Dance Your Anxiety Away" in an installation by Slow Factory at MoMA PS1 in New York. She has also performed in Émilie Monnet’s play Marguerite, Le Feu. More recently, she opened for Caroline Monnet at the Indigenous Futurism fashion show at the Getty Museum in Los Angeles, co-hosted seasons 2 and 3 of Décoloniser l’histoire, a web series produced by Picbois Productions, and co-directed the show YAHWATSIRA’, presented at the Carrefour International de Théâtre.As co-founder and artistic director of Studio Le Feu, she is currently focused on directing and creating visuals within the artistic and commercial industries.
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Born in Côte d'Ivoire, raised in Morocco and now living in Montreal, Djamilla Toure defines herself as a product of the diaspora. Passionate about women's empowerment and the media, she is a media founder, content creator and social entrepreneur.
She holds a bachelor's degree in international relations and international law, and is currently pursuing a master's degree in sustainable development, where she is exploring solutions to the structural barriers faced by women around the world.
In 2015, convinced that change begins at her own scale, Djamilla set herself the mission of rethinking the world through concrete action. And so, with four other women, she founded Sayaspora, a media outlet dedicated to young women from the African diaspora. Through this platform, she aims to amplify the voices of these women, highlight their ideas and offer them a space where they can not only express themselves and build their capacities, but also find a community that understands and values them.
Between leadership, innovation and commitment, Djamilla continues to explore new avenues to strengthen the influence of women in the media, social and economic spheres.

Sylvine, better known as The Artiiist, of Central African origin, was born in France and has now been living in Canada for 12 years. From an early age, art has always played a central role in her life: singing, dancing and then painting. This passion has gradually turned into a real career: she is the founder of Smard Art.
It was during the COVID-19 pandemic that Sylvine launched her artistic enterprise: Smard Art. Her talent and vision quickly attracted attention, propelling her work onto the international scene. This dazzling success has enabled her to make a living from her art and develop her business internationally, although she still harbors even greater ambitions.
Through her work, she celebrates the identity, culture and beauty of black people, themes that are close to her heart. Combining traditional and digital art, she draws her inspiration from realism, which she considers a form of expression of great intensity, while exploring mixed media techniques and abstraction.
Despite this recognition, she remains driven by the desire to push her own boundaries and reach an even wider audience.

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