Moridja Kitenge Banza, Chairman of the Board of Culture Montréal and a Canadian artist of Congolese origin born in Kinshasa in 1980, is a graduate of the Académie des Beaux-Arts de Kinshasa, the École des Beaux-Arts de Nantes Métropole and the Université de La Rochelle. Winner of the grand prize at the DAK'ART Biennial in 2010, he was awarded the Prix Sobey in 2020. His work has been presented at the AGO, the Musée d'art contemporain de Montréal, the National Gallery of Canada, the Phi Foundation and internationally. His work can be found in many public and corporate collections, including BMO, RBC and TD Bank.

Diane Gistal is a cultural producer and independent curator of Haitian-French descent, recognized for her dedication to promoting Afro-descendant and African artistic creation. As the founder and director of Nigra Iuventa, she works to amplify the practices of visual artists from these communities. With expertise in diversity, equity, and inclusion, as well as extensive experience in cultural project management, Diane is a committed leader in Quebec’s cultural sector.Her career has led her to collaborate with prestigious institutions such as the Montreal Museum of Fine Arts, the Phi Foundation, the Goethe-Institut, The Power Plant Contemporary Art Gallery, Le Livart, and the UNESCO Chair DCMET. Her curatorial practice—at the crossroads of visual arts, literature, and the humanities—delves into the literary, visual, and cinematic representations of the Black Atlantic.

Aïcha Bastien-N’Diaye, from the Huron-Wendat Nation, was introduced to movement through Guinean traditional dance while growing up in Wendake. Naturally blending her strong cultural influences, her passion for the physicality and expressiveness of dance quickly led her to pursue professional training at L’École de danse de Québec.

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Using her voice to inspire her communities, both on social media and on stage, Aïcha sees movement as a powerful tool for change and innovation.

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A multidisciplinary artist, she showcased her work "Dance Your Anxiety Away" in an installation by Slow Factory at MoMA PS1 in New York. She has also performed in Émilie Monnet’s play Marguerite, Le Feu. More recently, she opened for Caroline Monnet at the Indigenous Futurism fashion show at the Getty Museum in Los Angeles, co-hosted seasons 2 and 3 of Décoloniser l’histoire, a web series produced by Picbois Productions, and co-directed the show YAHWATSIRA’, presented at the Carrefour International de Théâtre.As co-founder and artistic director of Studio Le Feu, she is currently focused on directing and creating visuals within the artistic and commercial industries.

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