James Oscar is a writer, art critic, and exhibition curator whose work lies at the intersection of experimental critique and anthropological inquiry. As a researcher at the Institut National de la Recherche Scientifique, his work has focused on cultural policy. His academic journey has been deeply influenced by his mentorship under Martinican philosopher Édouard Glissant and his collaboration with Ato Sekyi-Otu on the works of Frantz Fanon. <span>With 25 years of experience in contemporary art, Oscar has worked at the Montreal Museum of Fine Arts and served as Curator-in-Residence at Fonderie Darling (2022-2023). He currently leads the Musée des Arts Libres des Amériques et du Monde (MALAM), home to a significant collection of Caribbean art. His recent exhibitions include "Illuminations" (2024), "Le Langage Secret de l'Univers" (2023), and "Music for the World of Tomorrow".<br></span>
As a civic researcher, he has engaged in dialogues with figures such as Cornel West and has contributed to major institutions, including Radio-Canada, the Canadian Museums Association, and the Canadian Centre for Architecture. As the founder of Montréal en Action, he spearheaded North America's first public consultation on systemic racism.
His research explores artistic practices through the lens of critical anthropology across the Americas. His publication, "Imperial Amphitheatres", was launched at the Venice Biennale.
James Oscar
Moridja Kitenge Banza, Chairman of the Board of Culture Montréal and a Canadian artist of Congolese origin born in Kinshasa in 1980, is a graduate of the Académie des Beaux-Arts de Kinshasa, the École des Beaux-Arts de Nantes Métropole and the Université de La Rochelle. Winner of the grand prize at the DAK'ART Biennial in 2010, he was awarded the Prix Sobey in 2020. His work has been presented at the AGO, the Musée d'art contemporain de Montréal, the National Gallery of Canada, the Phi Foundation and internationally. His work can be found in many public and corporate collections, including BMO, RBC and TD Bank.
Dédy Bilamba is a high-level marketing manager with a rich and diverse background spanning three continents, known for his unique career path.
Throughout his journey, Dédy has demonstrated his versatility and creativity in diverse roles, including Partnership Manager at Stade de France, Communications Advisor at the Ordre des ingénieurs du Québec, and Brand Manager for KFC Côte d’Ivoire. His ability to thrive in different environments is driven by a consistent thread—his creative approach to tackling challenges.
A passionate advocate for culture, Dédy is also the author of three books and has written short film scripts.
For the past five years, he has worked in television and cinema in Quebec, contributing to prestigious institutions such as the Vues d'Afrique International Film Festival and the Academy of Canadian Cinema & Television (Quebec section).
Dédy also serves on the Board of Directors of the Dynastie Foundation, further showcasing his commitment to cultural advocacy and community impact.
Despite having lived in the diaspora from a young age, Dédy maintains a deep connection to Africa. In 2022, alongside his partner Éric M'boua, he co-founded Afro VFX, a groundbreaking initiative with the mission of revolutionizing African cinema and television.
Afro VFX aims to develop a competitive ecosystem for VFX (Visual Effects) on the continent, helping amplify African stories and bring them to a global audience.
Martine St-Victor is a communications strategist and the General Manager of Edelman in Montréal, one of its 60 offices worldwide, making it the world's most important communication firm.
Martine is a monthly columnist at the Montreal Gazette and La Presse and can be seen and heard regularly on Radio-Canada television and radio. During federal and provincial elections, Martine analyzes political communication on CTV News.
Martine is a Trustee on various Boards, a founding member of the Black Opportunity Fund, and Vice-Chair of the Québec section of IWF (International Women’s Forum).
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