Stephane Moraille is a renowned entertainment lawyer, international recording artist, and co-founder of MassiveLab, specializing in AI-powered business solutions. She holds a Master’s in Intellectual Property Law from Osgoode Hall Law School and has worked in music, film, TV, museums, and technology since 2006.
As co-founder of MassiveLab, Stephane leverages AI-driven strategies to optimize businesses in the creative and cultural sectors. Previously, she was Director of Legal & Business Affairs at PHI, worked with VICE, and handled film & TV clearances at Lussier & Khouzam.
A dedicated mentor, she has led initiatives with Quebec’s Minister of Culture, Phoenix Music Executive Development Program, l’INIS, Coalition MEDIA, QEPC, DOC Institute, and CISF.
A pivotal member of Bran Van 3000, her work earned Polaris Prize nominations (2015, 2022), a MuchMusic Video Award, Juno Award, Canadian Radio Award, Félix Award, and Gold record status. Her iconic song "Drinkin’ in LA" was inducted into the Canadian Songwriters Hall of Fame.
Stephane serves on the Canada Council for the Arts (2022-2026) and the CCUNESCO board (2023-present), alongside leadership roles with SAC, UMAC, MuchFACT, Main Film, and ADVANCE Music Canada.
Stephane Moraille
Boubacar Djiba, is among Africa’s music industry’s prolific change agents with over 15 years’ of experience in the music industry in Senegal. He is an entrepreneur who evolves in the creative industry, technology, and communication sector. He is a consultant, music producer, designer and sound engineer passionate about the change and development of Africa through his youth. Connected in the global creative industry, he discovers and develops talents through his label Vazy Music.
In Jan 2024, Boubacar launched the first instant AI mastering platform in Africa, Senmixmaster after years of research. Senmixmaster is the first AI technological start-up evolving in cultural and creative industries in Senegal, more precisely in music and audio content. Senmixmaster uses AI and reinforcement learning, its engine works like a real engineer, making original decisions as the mastering progresses by tweaking the music to remove technical errors while applying necessary enhancements or anything preventing a great music listening experience.
Eager to build a strong creative ecosystem, Boubacar is a sure bet for the development of the creative industries in Africa with the use of technology.
Nicole Antoine is a dynamic force in experiential marketing and brand strategy, with over a decade of experience working with more than 40 top-tier companies. As a co-founder and CEO of BLAXPO and Four Brown Girls, Nicole has created platforms that amplify underrepresented voices and foster authentic human connections. Recognized in Forbes, The Social, Globe & Mail, CBC, and named Bay Street Bull’s Woman of the Year, she’s a trailblazer in the industry, balancing corporate success with community impact.
Her journey spans from managing Black-centric community centers to leading marketing for a national sneaker company. Nicole’s expertise in customer service, strategy, and management shines through in every role she’s taken on. Now, as the Managing Partner of N/A & Co, she continues to elevate brands by crafting meaningful, innovative experiences that not only engage but also drive change.
Currently pursuing her EMBA at McGill HEC, Nicole's passion for marketing, human connection, and storytelling is stronger than ever, and she’s committed to ensuring her clients stand out while making an impact.
Moridja Kitenge Banza, Chairman of the Board of Culture Montréal and a Canadian artist of Congolese origin born in Kinshasa in 1980, is a graduate of the Académie des Beaux-Arts de Kinshasa, the École des Beaux-Arts de Nantes Métropole and the Université de La Rochelle. Winner of the grand prize at the DAK'ART Biennial in 2010, he was awarded the Prix Sobey in 2020. His work has been presented at the AGO, the Musée d'art contemporain de Montréal, the National Gallery of Canada, the Phi Foundation and internationally. His work can be found in many public and corporate collections, including BMO, RBC and TD Bank.
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