Ian "Wizzy MoonChaser" Thomas, born and raised in Montreal's Côte-des-Neiges neighborhood, is a dynamic radio host, entrepreneur and community advocate. Raised by a single mother, Wizzy became involved in theater, basketball and short story writing at an early age. Although trained to become a pastor, he eventually chose to study psychology in CEGEP before turning to the world of radio.
Known for his boundless energy, passion and outspokenness, Wizzy quickly established himself on the Montreal radio scene. While attending Cégep Champlain St-Lambert, he joined the radio club and began hosting his own show every Friday. Today, he co-hosts The Morning Detour on CKUT, Montreal's first urban morning show, where his creativity and enthusiasm shine every day.
Defining himself as an artist, Wizzy is inspired by his godfather and Kanye West. His passion for storytelling and creating connections through conversation is at the heart of his work. His ultimate goal? To become Canada's number-one urban radio host.
In addition to his radio career, Wizzy has collaborated with brands such as Nike, NBA Canada and the City of Montreal, as well as mentoring programs such as Soars and The Crown Project. He has hosted numerous events, panels and interviews with influential personalities - from NBA champions to renowned chefs - while remaining deeply rooted in Montreal's urban culture.
Wizzy MoonChaser
Few people understand the importance of the arts and culture sector as well as Cameron Bailey. He is CEO of the Toronto International Film Festival (TIFF) - the world's largest public film festival and one of Canada's premier cultural brands. Under his strategic direction, the festival continues to grow in size and significance each year.
Bailey began his career as a film critic. He also curated films for Cinematheque Ontario, The National Gallery of Canada, The National Film Board of Canada, and Australia’s Sydney International Film Festival before joining TIFF in 1990. He began as a programmer selecting Canadian films before moving on to African and South Asian cinema. He’s responsible for TIFF’s highly successful subscription series, Reel Talk, and also headed TIFF’s Perspective Canada series and founded its Planet Africa section.
Bailey has taught film curation at the University of Toronto and holds an honorary doctorate from Western University. He is a Chevalier in France’s Order of Arts and Letters, member of the Academy of Motion Picture Arts and Science, and for 12 consecutive years been named one of “Toronto’s 50 Most Influential People” by Toronto Life.
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Born in Côte d'Ivoire, raised in Morocco and now living in Montreal, Djamilla Toure defines herself as a product of the diaspora. Passionate about women's empowerment and the media, she is a media founder, content creator and social entrepreneur.
She holds a bachelor's degree in international relations and international law, and is currently pursuing a master's degree in sustainable development, where she is exploring solutions to the structural barriers faced by women around the world.
In 2015, convinced that change begins at her own scale, Djamilla set herself the mission of rethinking the world through concrete action. And so, with four other women, she founded Sayaspora, a media outlet dedicated to young women from the African diaspora. Through this platform, she aims to amplify the voices of these women, highlight their ideas and offer them a space where they can not only express themselves and build their capacities, but also find a community that understands and values them.
Between leadership, innovation and commitment, Djamilla continues to explore new avenues to strengthen the influence of women in the media, social and economic spheres.
Tai is a rising star in Francophone comedy. First gaining recognition through the Instagram Live show Occupation Hood, he has since made a name for himself on stage and across social media. With his unique style and viral catchphrases like "Madame Rékilé", Tai captivates a wide audience.<br>He made his stage debut at L’Olympia de Montréal in 2021 and continues to draw large crowds across Quebec and the Francophone world.<br>
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