Dédy Bilamba is a high-level marketing manager with a rich and diverse background spanning three continents, known for his unique career path.

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Throughout his journey, Dédy has demonstrated his versatility and creativity in diverse roles, including Partnership Manager at Stade de France, Communications Advisor at the Ordre des ingénieurs du Québec, and Brand Manager for KFC Côte d’Ivoire. His ability to thrive in different environments is driven by a consistent thread—his creative approach to tackling challenges.

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A passionate advocate for culture, Dédy is also the author of three books and has written short film scripts.

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For the past five years, he has worked in television and cinema in Quebec, contributing to prestigious institutions such as the Vues d'Afrique International Film Festival and the Academy of Canadian Cinema & Television (Quebec section).

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Dédy also serves on the Board of Directors of the Dynastie Foundation, further showcasing his commitment to cultural advocacy and community impact.

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Despite having lived in the diaspora from a young age, Dédy maintains a deep connection to Africa. In 2022, alongside his partner Éric M'boua, he co-founded Afro VFX, a groundbreaking initiative with the mission of revolutionizing African cinema and television. 

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Afro VFX aims to develop a competitive ecosystem for VFX (Visual Effects) on the continent, helping amplify African stories and bring them to a global audience.

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Keithy Antoine is a host, visual artist, and social entrepreneur. She creates and hosts content for radio, television, and events. She first gained recognition as the co-host of the pioneering hip-hop radio show Nuit Blanche (1991–2001) before joining XM Satellite Radio and MAtv. She co-produced and hosted Les Entrevues Lounge Urbain on FibeTv1 and later hosted Le Spot on Natyf-TV. Since 2022, she has been part of the Radio-Canada series Pa t’mentir (Gémeaux and Numix awards) and contributes as a cultural reporter for PAN M 360.

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She produces and hosts Nouveaux Départs, a podcast on immigration launching in March 2025 on Canal M, and is the artistic director of an NFB documentary on Afro-ecology set for release in 2026.

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As a visual artist, she has exhibited internationally (Louisiana, Guadeloupe, Cameroon) and created permanent artworks for Howard Park in 2023. She is also a member of the Afro-descendant artists’ collective WECANERS. In 2019, driven by her social commitment, she founded Union Urbaine, a cultural and social inclusion organization based in Saint-Michel and now located at 6649 Plaza St-Hubert. It operates STYL'AFRIQUE, a workshop-boutique offering tailoring services, creative workshops, and Afro-urban fashion.

James Oscar is a writer, art critic, and exhibition curator whose work lies at the intersection of experimental critique and anthropological inquiry. As a researcher at the Institut National de la Recherche Scientifique, his work has focused on cultural policy. His academic journey has been deeply influenced by his mentorship under Martinican philosopher Édouard Glissant and his collaboration with Ato Sekyi-Otu on the works of Frantz Fanon. <span>With 25 years of experience in contemporary art, Oscar has worked at the Montreal Museum of Fine Arts and served as Curator-in-Residence at Fonderie Darling (2022-2023). He currently leads the Musée des Arts Libres des Amériques et du Monde (MALAM), home to a significant collection of Caribbean art. His recent exhibitions include "Illuminations" (2024), "Le Langage Secret de l'Univers" (2023), and "Music for the World of Tomorrow".<br></span>

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As a civic researcher, he has engaged in dialogues with figures such as Cornel West and has contributed to major institutions, including Radio-Canada, the Canadian Museums Association, and the Canadian Centre for Architecture. As the founder of Montréal en Action, he spearheaded North America's first public consultation on systemic racism.

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His research explores artistic practices through the lens of critical anthropology across the Americas. His publication, "Imperial Amphitheatres", was launched at the Venice Biennale.

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